{"id":1045,"date":"2023-09-10T21:47:20","date_gmt":"2023-09-10T20:47:20","guid":{"rendered":"https:\/\/citychamberchoir.org.uk\/?page_id=1045"},"modified":"2025-09-18T15:15:18","modified_gmt":"2025-09-18T14:15:18","slug":"archive-2022-2023","status":"publish","type":"page","link":"https:\/\/citychamberchoir.org.uk\/?page_id=1045","title":{"rendered":"Season of Events 2022\u20132023"},"content":{"rendered":"\t\t
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Explore Our Rich
Heritage of Music Making<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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11 July 2023 | <\/span>Byrd 400 Celebration<\/b>
<\/span>23 April 2023 | <\/span>Evensong at Leighton Buzzard<\/b>
<\/span>21 March 2023 | <\/span>Da Vinci Requiem<\/b><\/span>
<\/span>28 January | <\/span>Byrd & Tallis Choral Workshop Day<\/b>
<\/span>13 December 2022 | <\/span>The City Chamber Choir Christmas Celebration
<\/b><\/span>18 October 2022 | Iberia and beyond <\/strong>Music from Spain, Portugal & the Americas
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2022-23 Season of Events<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Byrd 400<\/strong><\/h2>\n

7.30pm, Tuesday 11 July 2023
St Mary Aldermary, Watling Street, London EC4M 9BW<\/p>\n

Stephen Jones\u00a0<\/strong>conductor, harpsichord<\/em><\/p>\n

City Chamber Choir commemorates the 400th anniversary of the death of of one of England\u2019s greatest composers,\u00a0William Byrd<\/strong>\u00a0(c.1540\u20131623), with a programme built around works by the master himself and pieces by composers who influenced or were influenced by him.<\/p>\n

Byrd\u2019s teacher at the Chapel Royal,\u00a0Thomas Tallis<\/strong>, provides four short works, including\u00a0Why fum\u2019th in sight<\/em>, better known as the tune used by Vaughan Williams in his\u00a0Fantasia on a theme of Thomas Tallis<\/em>. Byrd\u2019s pupils,\u00a0Weelkes<\/strong>\u00a0and\u00a0Tomkins<\/strong>\u00a0are also represented, together with two modern composers who demonstrate that Byrd\u2019s influence lives on. The well known singer and composer\u00a0Roderick Williams<\/strong>\u00a0\u2018reimagines\u2019 Byrd\u2019s\u00a0Ave verum<\/em>\u00a0for modern times and\u00a0Huw Watkins<\/strong>\u00a0provides a haunting setting of Shakespeare\u2019s allegory\u00a0The Phoenix and the turtle<\/em>\u00a0in which the \u2018bird of loudest lay\u2019 is thought to refer to William Byrd himself.<\/p>\n

Byrd<\/strong>: Ave Verum | Sing we merrily; Blow up the trumpet | Make we joy to God | Come woeful Orpheus | Retire my soul\u00a0 \u00b7\u00a0Roderick Williams<\/strong>: Ave Verum reimagined \u00b7\u00a0Huw Watkins<\/strong>: The Phoenix and the turtle \u00b7\u00a0Tallis<\/strong>: Why fum\u2019th in sight | If ye love me | A new commandment | O Lord give thy Holy Spirit \u00b7\u00a0Weelkes<\/strong>: O Lord grant the King a long life | O care thou wilt despatch me \u00b7\u00a0Tomkins<\/strong>: O God the proud are risen | Too much I once lamented. \u00b7 With harpsichord solos.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Evensong<\/strong><\/h2>\n

6.00pm, Sunday 23 April 2023
All Saints Church, Leighton Buzzard LU7 1AE<\/p>\n

Stephen Jones\u00a0<\/strong>conductor<\/em>\u00a0|\u00a0Ivan Linford<\/strong>\u00a0organ<\/em>
We are delighted to be going ‘out of town’ to sing Evensong in the beautiful and historic parish church of Leighton Buzzard. Fittingly, on St George’s Day, the music focuses on British composers.<\/p>\n

Introit<\/strong>\u00a0Vaughan Williams:\u00a0O taste and see<\/em>
Responses<\/strong>\u00a0Sanders
Canticles<\/strong>\u00a0Howells in G
Anthem<\/strong>\u00a0Mundy:\u00a0O Lord the maker of all thing<\/em><\/p>\n

All welcome<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Da Vinci Requiem<\/strong><\/h2>\n

7.30 pm, Tuesday 21 March 2023
Holy Sepulchre London, Holborn Viaduct EC1A 2DQ<\/span><\/p>\n

Covent Garden Chamber Orchestra<\/strong>
Stephen Jones\u00a0<\/strong>conductor<\/em>\u00a0|\u00a0Tamsin Raitt<\/strong>\u00a0Soprano<\/em>\u00a0|\u00a0Thomas Isherwood<\/strong>\u00a0Baritone<\/em>\u00a0| Tom Jesty\u00a0<\/strong>piano<\/em><\/p>\n

We are delighted to be returning to the splendid and spacious National Musicians\u2019 Church, Holy Sepulchre London, for our spring programme
of British music.<\/p>\n

The solemn and moving\u00a0Songs of Farewell<\/em>\u00a0by\u00a0Parry<\/strong>\u00a0represent a pinnacle of choral writing from the early twentieth century, a fact reflected in the use of one of its pieces at the funeral of HM Queen Elizabeth II.<\/p>\n

Bringing us right up to date is the 2019\u00a0Da Vinci Requiem<\/em>. This significant seven-movement work from City Chamber Choir\u2019s President\u00a0Cecilia McDowall<\/strong>\u00a0presents an imaginative pairing of extracts from\u00a0The Notebooks<\/em>\u00a0of Leonardo da Vinci with texts from the Latin\u00a0Missa pro defunctis<\/em>. Da Vinci\u2019s reflective and penetrating insights into the nature of mortality and all that it encompasses cast new light on the familiar Requiem texts. Sure to become a classic, the work is powerful and mysterious, and reflects the composer\u2019s longstanding interest in Leonardo. It is also full of gorgeous melodies and harmonies.<\/p>\n

Gerald\u00a0Finzi<\/strong>\u2019s serene\u00a0Eclogue<\/em>\u00a0for piano and strings completes the programme.<\/p>\n

Download the concert programme.<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The City Chamber Choir Christmas Concert<\/strong><\/h2>\n

7.00pm, Tuesday 13 December 2022
Voces8 Centre, St Anne and St Agnes Church, Gresham Street, London EC2V 7BX<\/p>\n

Stephen Jones\u00a0<\/strong>conductor<\/em>| Ivan Linford\u00a0<\/strong>organ<\/em>
City Chamber Choir takes you on a magical journey through the Christmas story, with a mixture of much-loved familiar carols and music that\u2019s right up to date, including the winner of last year\u2019s BBC Radio 3 Breakfast Carol Competition by Tamiko Dooley and a piece by our President, Cecilia McDowall. There\u2019s an opportunity to hear some seasonal readings as well as the usual wine and mince-pie fuelled join-in-able audience participation items.<\/p>\n

Programme<\/strong>
Vaughan Williams<\/strong>\u00a0Fantasia on Christmas Carols |\u00a0Pott\u00a0<\/strong>Balulalow |\u00a0Tamiko Dooley<\/strong>\u00a0Love came down at Christmas |\u00a0Bob Chilcott<\/strong>\u00a0Remember O thou man; Rise up shepherd |\u00a0Ravenscroft\u00a0<\/strong>Remember O thou man |\u00a0Howells\u00a0<\/strong>Here is the little door |\u00a0Warlock Bethlehem Down<\/strong>\u00a0|\u00a0Britten\u00a0<\/strong>Hymn to the virgin |\u00a0Cecilia McDowall<\/strong>\u00a0Now may we singen |\u00a0Paul Ayres<\/strong>\u00a0Unto us is born a Son
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Stephen Jones<\/strong>\u00a0
<\/span>Workshop leader and director of City Chamber Choir<\/em><\/figure>\n<\/div>\n
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Tom Jesty<\/strong>\u00a0Accompanist<\/em><\/p>\n

William Byrd<\/strong>
Mass for Four Voices
O Lord Make Thy Servant Elizabeth
Thomas Tallis
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Choral Workshop on Byrd and Tallis<\/strong><\/h2>\n

Saturday 28 January 2023
St Mary-at-Hill, Lovat Lane, London EC3R 8EE<\/p>\n

City Chamber Choir, the friendly group that rehearses and performs in the heart of the City of London, invites you to take part in this workshop on key works from the English Renaissance: William Byrd\u2019s\u00a0<\/span>Mass for Four Voices<\/em>\u00a0and anthem\u00a0<\/span>O Lord Make Thy Servant Elizabeth<\/em>, and Thomas Tallis\u2019s\u00a0<\/span>Videte Miraculum<\/em>.<\/span><\/p>\n

The workshop is led by City Chamber Choir\u2019s Music Director, Stephen Jones, who has a wealth of experience in all aspects of choral singing, as conductor, singer and accompanist. As well as putting the works into their historical context, he will give you many valuable insights into vocal technique, ensemble singing and tuning.<\/p>\n

Our study day ends with an informal sing through at 4.00 pm (open to all \u2013 please do invite your friends). If you are an enthusiastic amateur singer, who would like to explore these choral masterpieces, brush up on singing technique and find out about the historical and musical context of important Tudor works during the course of an enjoyable day, then this is for you.<\/p>\n

THE MUSIC<\/strong>
During the reign of the Protestant Queen Elizabeth I it was illegal to celebrate the Roman Catholic Mass, so when\u00a0Byrd\u00a0<\/strong>had his three mass settings printed in the 1590s, he made sure that they were in a small and easily concealable format. The\u00a0Mass for Four Voices<\/em>\u00a0would therefore have been used in a private setting, among recusant families who risked arrest if their proceedings were discovered. We also study Byrd\u2019s heartfelt full anthem\u00a0O Lord Make Thy Servant Elizabeth<\/em>\u00a0written for the queen whose passionate love of music perhaps enabled her to turn a blind eye to Byrd\u2019s recusancy.\u00a0Videte Miraculum<\/em>, by\u00a0Tallis<\/strong>\u00a0is a sublime and hypnotic responsory for Candlemas. It builds a sensuous six-part texture on plainsong themes.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Iberia and beyond<\/strong>
Music from Spain, Portugal and the Americas<\/h2>\n

7.00pm, Tuesday 18 October 2022
St Mary-at-Hill, Lovat Lane, London EC3R 8EE<\/h3>\n

Stephen Jones <\/strong>conductor<\/em> | Nigel Woodhouse <\/strong>guitar<\/em> | Forbes Henderson <\/strong>guitar<\/em> | Luke Bainbridge <\/strong>percussion<\/em> | Tom Jesty <\/strong>keyboard<\/em><\/p>

For the opening concert of our season we are delighted to be joined by an instrumental ensemble of guitars, percussion and keyboard. Our programme contrasts the austere beauty of church music written by masters of polyphony in sixteenth-century Lisbon, with a heady mix of twentieth century classics from Latin America and Spain, including Ramirez<\/strong>\u2019s charming and tuneful folk mass and Castelnuovo-Tedesco<\/strong>\u2019s wonderfully atmospheric settings of poems by Lorca. Completing the mix is Piazzola<\/strong>\u2019s celebrated Libertango<\/em> and Ericsson<\/strong>\u2019s exploration of Salve Regina, subtitled \u2018to the mothers in Brazil\u2019, which brings us full circle to Lisbon once more, and Francisco Guerrero<\/strong>\u2019s passionate setting of the same text.<\/p>\n

Ramirez <\/strong>Misa Criolla | Magalh\u00e3es <\/strong>Asperges me| Duarte Lobo <\/strong>Pater peccavi | C. de Morales <\/strong>Tu es Petrus | F. Guerrero <\/strong>Salve Regina II | Ericsson <\/strong>Salve Regina \u2013 to the mothers in Brazil | Piazzolla <\/strong>Libertango | Castelnuovo-Tedesco <\/strong>Romancero Gitano
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